Be honest, David Koma: âI Love Davidâ is a masterclass in referencing for SS26. Thank you.
- Photography:
- Finnegan Koichi Godenschweger & Ines Bahr
Spot the difference: One David defeated Goliath, the other David has a wife with a dad that drives a Rolls Royce, and the final David is Georgian design icon David Koma at Berlin Fashion Week. All of these have the latterâs collection âI love Davidâ in common.
The SS26 show marks the designerâs third menswear show and instead of Londonâs urban fashion scene, Berlin Fashion Week becomes the backdrop for âI love Davidâ. Here at The Palais am Funkturm, Koma reflects on the perception of masculinity.
David Beckham, Michelangelo and David Koma
âI love Davidâ appears to be tongue-in-cheek at first glance, possibly referencing the 2000âs boom in âI <3 NYâ shirts that morphed into variations such as Paris Hiltonâs iconic âI <3 Shoes, Bags & Boysâ from 2007.
However, instead of a revamped shirt slogan, âI love Davidâ aims to combine different interpretations of manhood. The examples Koma chooses being David Beckham, Michelangeloâs David and himself.
Apart from the name of the collection, Y2K Ă la David Beckham is implemented in full force. Low waist denim, beach shorts and frat boy striped polo shirts clash with luxurious outerwear consisting of aged leather trenches and waxed cotton smocks lined with red shearling. The unbuttoned shirt bottoms are a genius styling choice to capture David Beckhamâs turn of the millennium style.Â
David Koma reinvents Beckhamâs iconic âI Kiss Footballâ sweatshirt
One runway look features a pair of low waist, light washed baggy jeans, black Havaianas and a t-shirt saying âI Love Davidâ. The cheesy 90âs graphic design references an original worn by Beckham in 2001. The footballerâs original was created as a custom piece by Adidas with âI Kiss Footballâ written across the front.
Michelangeloâs David first appears in elegant nuances throughout the collection such as sculptural draping across t-shirts or pale, earthy marble-esque tones such as stone gray or dusty brown. But by the time one of the models walks out in a delicate lace crochet apron donning an image of the statueâs body, David is unquestionably present.
Masculinity according to David Koma
During his third menswear collection, David Koma implements the signatures heâs known and loved for in womenswear. Classic silhouettes are given an extra glam treatment through sequins, tull, embellishments and crystals throughout each look. The hibiscus flower seen on belts, chains and brooches act as a nod to Komaâs couture and eveningwear background.
With his SS26 collection, David Koma converses with different ideals of manhood. Michelangeloâs David is an age-old symbol for strength, bravery and cleverness. David Beckham is the modern heartthrob loved and idealized by both men and women for his athleticism, charm and wittiness. David Koma positions himself in between these men with âI Love Davidâ. He changes the narrative of a static ideal â masculinity changes as we change. And he as a designer is right there at the center of this change, shaping and morphing our understanding of all the things a man can be.